Mischaracterization

We’ve spent nearly a month now on this long drawn-out commercial touting Bob’s Pig Shop as having the bestest barbecue on the whole planet. There is no telling how much longer the authors are going to drag this out. But now they have taken a turn for the worse by introducing a character who clearly defames the memory of one of our greatest comedians of all time.
I agree with commenter Jeff that the Bender’s portrayal of the “Health Inspector” Golly (or is it Gollie) is a shameful slap in the face to the memory of Oliver Hardy. One can only hope that they will mercifully not drag Stan Laurel into this mess.
Oliver Hardy was an outstanding comic actor, but there is nothing funny about the character of Gollie in the current strip. Gollie, as portrayed so far, is a disgusting slob and a corrupt public official who is easily manipulated and even more easily bribed.
And not only do the Benders have a hard time keeping his name straight - Golly or Gollie - they can’t seem to figure out how to proportion his head in relation with his body. One time we see Gollie and his head is blown up like a balloon (Check out the last frame of the strip from 6/7/06). Then the next time it looks like he just came back from a trip to see a witch doctor.

I also have to agree with commenters Ron and Monroe in noting that Alley Oop’s out-of-control temper and bullying behavior is getting more and more reprehensible as the story progresses. As Ron notes in a comment on today’s strip, “... you have classic bullying here. The strong guy going after the sad looking fat kid...”
I wish that this storyline would end tomorrow, but unfortunately we still have to deal with a number of loose ends including the vengeful and deranged Wizer, the envious and scheming Umpa and the foolish and bull-headed King Guz.
Suffice to say that I no longer think Oop and Ooola will be announcing their nupitals anytime soon.

Ooola and Umpa return

Frequent commenter Monroe has been rightfully fretting the sudden disappearance of Ooola's character from the narrative after we were led to believe that she and Oop were finally on the path to marital bliss. But now it seems that both Ooola and Queen Umpa have returned just in time to take part in the big party that Oop is organizing to celebrate "winnin' the war with Lem."

First off, allow me to complain just a bit about the sissification of Oop these days. Is this what our macho caveman hero has become? First we spend months watching him take tango lessons from Rudolph Valentino and now he is busy organizing a big party complete with flowery banners and a caterer. As Ooola would say, "Oooh! How exciting!" Yeah, a thrill a minute around here. What's next? Oop takes up knitting and starts making sweaters for everyone?

But back to Ooola and Umpa. I wonder how Umpa will take the news that Oop has brought in a caterer who he thinks cooks much better than she does to handle the food chores? Will she be happy preparing just a few side dishes? Or will she join Wizer in his cave and start cooking up her own batch of WMDs to take revenge on the unappreciative Moovians?

Finally, I'm going to go out on a limb here and make a prediction - Oop and Ooola will use the occasion of this party to announce their engagement. Does that seem too obvious for our authors? It would seem to fit the arc of the current storyline - such that it is. Maybe then we can spend a couple of months watching Ooola's bridal shower. I can hardly wait!

Who's who in Moo

I've been meaning to get a new post up but have had little time. Thanks to all of our commenters for keeping tabs on this latest mess of a storyline.
We are getting new characters thrown at us almost weekly now so let's step back and take a quick inventory. First we had the "Professor" who suddenly appeared wearing a graduation cap and gown which I suppose came from the University of Moo. He is also wearing a modern set of spectacles that one commenter noted must have been picked up in the optical department at the local Moo-Mart.
(It would seem that the Benders are not even trying to maintain any kind of historical accuracy about the strip these days.)
The professor introduces himself by taking a highly offensive and racist jab at Oop ("Alley Oop makes a brilliant point, considering the neanderthal stock from which he comes.") What?!? Like this guy has evolved overnight into a higher lifeform? Is he supposed to be a missing link or something?

When Guz decides on the spur of the moment to hand over the historian job to this upstart, it makes the Wizzer insane with jealousy and resentment and he retreats into his lab where he is apparently hard at work cooking up some kind of pre-historic weapons of mass destruction. There's nothing like taking a beloved character from a long-running strip and turning them into a terrorist.

Next we meet "Pidali," a Hippie artist (notice that he is left-handed) who makes flower power designs on cave walls and keeps a modern looking paint brush behind his right ear. No wait!! It's behind his left ear! No, scratch that, it's back behind his right ear again. Whatever! We learned long ago not to expect the strip's authors to keep these kinds of things straight.

Now we have "Fill," the surly proprietor of boB's piG shop who nearly gets into a fight with the short-tempered Oop over a silly mix-up involving his name. Fill also frequents the optical shop at the local Moo-Mart where he gets his very modern looking glasses. Fill has the most amazing invention - a wooden barbecue pit that somehow manages to cook lots of meat without catching fire and burning to the ground. Very impressive.

Fill is another character, like Mountain, who appears to be drawn to intentionally resemble someone in real life. One commenter even claims to know who Fill is:

I know the character that Fill is based on. He's the owner of Bob's Pig Shop in Pauls Valley, Okla.

In fact, there is a Bob's Pig Shop in Pauls Valley owned by a Phil Henderson. And then we have Foozy making a crack about not smelling that aroma "nowhere this side of Oklahoma." So did Foozy ever go time traveling with Oop, or is this just another instance of the authors ignoring reality in order to make an isider's reference for their own benefit?

Even in Moo ...

I find it interesting that even in Moo, the recent fiasco with Tunk is being recorded as a non-event. If this isn't art indicting itself, I'm not sure what is, gang. Anyway, I still don't know what to make of our little historian dude here. He's drawn in a way (a la Dave Wowee) that just screams "dork," but our creative team seems to be singling him out as the one sane, reasonable person in the entire strip. Will he turn out to be a villain, using his historian persona as a smokescreen? Somehow that doesn't seem likely, since the Wizer looks as if he's being set up as the bad guy this time around (complete with koo-koo for Cocoa Puffs swirlies in his eyes). I think doing something unexpected with the historian would be more interesting and more entertaining than what we've seen so far, though.

Narrative inconsistency

This is all just so wrong.
So the accidental discovery of Tunk's crown under some bushes took all the wind out of his sails just as he was about to strike the final blow against his arch-nemesis King Guz. Then, inexplicably, Guz and Oop, who seconds earlier were totally incapacitated and under the control of Lemmian soldiers, are suddenly set free and allowed to waltz out of the cave over to Tunk and start threatening him. Finally, Dinny the Dinosaur shows up on cue to chase away the entire Lemmian Army (all three of them.)
Now, my biggest problem with all of this (other than the fact that it is really lame) is that it is totally inconsistent with things that were said and done earlier in the narrative of the story. Let us step back in time for just a bit and review some of the events that led up to the victorious "five-minute war" that Moo is about to memorialize for all time.
When Tunk is first challenged on his theory that Guz stole his crown his reaction is to declare "I don't know and I don't care!" That would lead us to believe that he is intent on attacking Moo regardless of what happened with his crown. This point is reinforced in the subsequent panels where Tunk muses about "killing two birds with one stone" and notes that "this is the excuse I've been waiting for."
So it makes no sense that Tunk's plans would fall apart the moment he realizes Guz did not really steal his crown. But unfortunately the Benders can't keep their story straight. It's either that or Tunk is suffering from a split-personality disorder. Maybe he is bi-polar.
Either way it is disconcerting for the readers and now to have the incompetent and clueless King Guz standing up and taking credit for a great victory after leaving his kingdom defenseless is just maddening. I'm not sure how this storyline could get any worse, but I'm confident that we shall not be disappointed in that respect.

Nevermind

The enthusiasm I expressed for this storyline based on yesterday’s strip (3-30-06) is completely shot down by today’s lame-ass strip (3-31-06). What is it about continuity from one strip to the next that the Benders don’t understand?
Yesterday, we had Oop going all Conan on the Lemmians, ploughing into them with a fervor that one would expect from a hero of his caliber who has carried this comic strip since the beginning. But today, we see that he has been instantly transported into Guz’ cave and has been completely incapacitated by one guy and a bear hug. What the hell!?! And where is Oop’s axe??
Meanwhile, we see that King Guz is completely worthless, waking up from his slumber with a stupid look on his face. What is he supposed to be doing while the Lemmians are grabbing Oop and Tunk has his back turned on him? Cowering in a corner?? Was it too much to expect that he might put up a fight and at least try and defend his cave, if not his kingdom?
I’m so disgusted with today’s strip that I don’t even know where to begin. Oh, and my expectation that Queen Umpa might be a factor was apparently unfounded. She obviously doesn’t exist in the vacant minds of our story’s authors.

Wham! Bam! Pow!

Wow! This is exciting. I guess after all of the complaining we did about how dull and boring the tango lessons were, we should be appreciative to have some real action to enjoy even if the setup was a bit strained. Maybe the Benders really do read this blog.
Here we have Oop wading into the battle with the kind of gusto reminiscent of Achilles in the battle for Troy or Davy Crockett at The Alamo.

But at the same time, what are we to make of King Guz who failed to post guards along the Lemmian border or even have a nightwatchman on duty? Today we find that while his entire Kingdom is engulfed in turmoil with the loud cacophony of battle raging outside his door, he is apparently still sound asleep in his cave and unaware that Tunk is about to pay him a visit.
Still, I imagine that Tunk’s undoing will be his decision to enter Guz’s cave by himself. Who does he think is in the cave, anyway? Does he think King Guz is the only one he will have to contend with? He has obviously forgotten that an even more ominous foe resides in that dwelling. Queen Umpa!! I foresee Tunk getting beaned with one of Umpa’s cooking pots just as he is about to attack Guz.

CHARGE!!!!

So you take pains to sneak your army into the country in the middle of the night so that you can silently creep up on your unsuspecting quarry and surprise them in their sleep. But then, just as you are about to launch your attack, some idiot stands up and screams ‘CHARGE!!!!!’ at the top of his lungs.
And of course that idiot just happens to be Tunk.

But never mind that, what is up with Moo having no guards along the border with Lem? Recall that just after the snowmonster mishap, King Guz was yelling at the fleeing Tunk that their tentative truce was off. You would think that Guz would have taken himself seriously and prepared for a possible confrontation with the aggressive Lemmians. But here they all are snoozing away without so much as a nightwatchman posted anywhere to sound an alarm.
If that is truly the way it is, then King Guz is clearly at fault here. He is the one responsible for keeping the Moovian border’s secure and the people safe and he has clearly fallen down on the job. Maybe we will find Guz over at some school reading a copy of “My Pet Goat” to a group of Moovian children as the Lemmian invasion commences.

Of course you know this means war

OK, so Tunk is leading his Lemmian army into Moo on the false premise that King Guz stole his crown. We can see today (3-23-06) that the Lemmian army - all three of them - have these evil grins on their faces which is supposed to clue us in to the fact that they are the “bad guys.” So what was the deal with all that earlier hemming and hawing from the troops who seemed to be questioning Tunk’s sanity? I thought we might see the beginnings of a mutiny, but instead it now looks like everyone is fully on board with this little misadventure. But I guess that is the way most wars go. People get caught up in the patriotic fervor of the moment and don’t usually reflect until it is too late.
Well, it doesn’t look like the Moovians have too much to worry about with this rag-tag bunch. I doubt that Guz will even have to roust his own troops. I think the girls who are finishing up their tango lessons with Oop could kick these boys’ rearends without much trouble. So I guess now we can just sit back and watch all the (yawn) action unfold.

Tunk loses his crown

Thank goodness we are finally moving on with a new story line. Even one that sounds like it was cribbed from a nursery rhyme - Tunk fell down and lost his crown...

Why do the Lemmians put up with Tunk anyway? Normally, for an autocrat like Tunk to maintain control over a large group of people he must have a loyal Praetorian Guard surrounding him ready to enforce his dictates. But here we have Tunk sitting alone on his throne threatening to cast everyone in his kingdom into the pit. That’s the kind of thing that would spark a mutiny anywhere else.

Tunk has always served as the stock villian for Alley Oop. Kind of like Bluto is for Popeye. So it’s no surprise to see him served up for this new story line. The Benders seem to like throwing contemporary political issues into the strip on occasion and Tunk is their ideal foil for that kind of thing. It’s not clear yet where they are going with this “you’re guilty until proven innocent” thing yet, but Tunk is obviously being set up to take a fall at some point.

Perhaps King Guz will decide that it is time for regime change in Lem and launch a pre-emptive invasion.

Doc Wonmug behind the scenes ...

Looking at the Sunday version of the finish to this "u-n-f-o-l-d-i-n-g" continuity (as Jeff might call it), I really have to wonder about Doc Wonmug's secret life.

Doc Wonmug has been off-stage for this entire story, but wow, look at this old coot's contacts! First he sets up this "romantic" getaway for the Oopster and his dysfunctional doll - as a gift from Santa Claus. At the same time, he's also apparently gone back in time so that he could get an autographed photo from Rudolph Valentino for Oop and Ooola to unwrap "back home." Did Doc "zang" himself back to the Roaring Twenties, wander around incognito, somehow gain access to Rudy, and get the picture for his friends? Or, did Doc "zang" Rudy into the time lab to get the job done? What sort of questions would Rudy ask if he knew he was talking to someone from the future? Finally, Doc apparently "zanged" the envelope back to Moo in some way. Did he go himself? We never get to see Doc travel through time. Did he "zang" the envelope into an obvious spot by itself? All questions we will probably never get answered.

Is it just me, or does the story-behind-the-story seem as if it would be a heck of a lot more interesting than the achingly prolonged tango that we've been reading for the past couple of months?

And what's up with that orange-and-blue dino in the background???

What a long, strange trip it's been...

I've never been so thankful to see the "ZANG" effect before. This whole storyline was way beyond dragging. It had lost steam a month ago, had slowed to a stop and was starting to roll backwards.
Then they had to go and torture us further with the suggestion that they would extend this sequence by taking Rudy with them for what commenter Jim aptly described as "The Last Tango in Moo."

But before they go, Oop has to throw out that last stupid comment: "We've got a long trip ahead of us."
What does he mean 'long trip'? The time traveling is pretty much instantaneous, isn't it? Unless Doc Wonmug screws up and ships them off to the wrong century again, they should be back in Moo or in the time lab the next time we see them.

Please stop the torture!

We've been dragging along with this "dance lessons" storyline now since before Christmas. It's had a few good moments, but overall it has really strained our loyal readership here at Alley Oop Watch. Now, finally, it looks like we may have reached the finale with this Valentine's Day strip.

I think frequent commenter Jeff says it best:

I really, really, REALLY hope this tortureous storyline is over. I beg you, Jack and Carole, zap Oop out of Ooola’s arms RIGHT NOW, and into a MANLY adventure. (Wouldn’t THAT be a riot if they did? What with Ooola being fully supported by Oop in the last panel of today’s comic, and Wonmug zaps Oop into another time leaving Ooola to fall on her ass!)

Ooola is evil, blardy blardy blah

I've read and appreciated the posts that have appeared on today's strip already, but I thought that it was worth a separate post anyway.

I'm not going to dwell on what's being done with Ooola in this storyline for very long, because it's more of the same, as far as my comments about
Ooola's treatment of Alley goes. Rudy wants to make Oop jealous. Ooola plays along. Oop gets mad, and suddenly he's the bad guy again. Blah, blah, blah.

What's telling is Rudy's reaction to Oop. He doesn't come off as being a real "man's man" here, and for Ooola to have to protect the world's greatest lover from her "insignificant other" is pretty sad. In short, Rudy can deal it out, but he can't take it. And he gets drawn to look like Shemp from the Three Stooges to boot!

Anyway, I got tired of thinking about this story, and decided to splice together my own story from other strips. So I've enlisted Oop from today's strip, Bucky from "Get Fuzzy," a panel from "Mark Trail" that I hijacked from joshreads.com, and a great "Pearls Before Swine" panel to tell a story about a caveman trading insults with a cat, hill folk with questionable thoughts, and a hungrily affectionate crocky-dile. From murderous love to loving murderously. Boredom is a wonderful thing.

Wasting time

Today Ooola gives us our first clue as to why she gave Oop the brush-off when he finally got around to proposing matrimony. (Personally, I think it’s because she just can’t stand the thought of being named Ooola Oop.)
It seems that Alley Oop is always off on his time travel jaunts leaving poor Ooola to sit at home in her cave and sort rocks. This, of course, brings up the question as to why time travel takes up so much, ummm, time.
Is there any reason why Doc Wonmug couldn’t return Oop to the same precise time that he picked him up following each adventure? That way it would be as if he had never left and the people of Moo would be none the wiser.
That would certainly be the smart way to handle things since it would reduce the liklihood that they are screwing around with history by constantly removing Oop from his home. As it is, it seems that everytime Oop is away some tragedy befalls the poor people of Moo that Oop has to straighten up when he gets back. Imagine how much potential there is for distorting the timeline everytime they zap Oop away for an extended period of time. Perhaps he was meant to marry Ooola and have a whole bunch of kids, but now the relationship has been strained and they never get together and whole generations of descendants are snuffed out.
Of course, there is also the possibility that the Moovians are a historical dead-end. Maybe their society goes extinct at some point and therefore messing around with their timeline doesn’t make any difference. Perhaps Doc Wonmug knows this and is thus not worried. Just some food for thought.

Nothing to Prove

Apologies to all for being out of action for the past few weeks ... it's been an intensely busy time at work. Darn making a living, anyhows ... But on with the show ...

For the past couple of weeks, the Oopster and Ooola have been prancing around in what the dailies have told us is a 1915 dance studio with future silent movie heart throb Rudolph Valentino. Actually, Oop has been learning to dance with a Gwyneth Paltrow look-alike, while Ooola gets to spend some quality time with The Sheik himself.

One of my favorite things about this past week has been the increasingly "Yellow Submarine" cartoon look to Oop's feet (see second image for a comparison).

In this condensed Sunday version, the whole idea seems to be to get Oop to snap out of it and actually show that he cares about Ooola, which is ridiculous. For this scenario to make sense, we have to make ourselves forget that Oop has been remarkably faithful for decades, has proposed marriage, has been refused, and has spent the past ... geez, how long has it been now? ... either pining away for this prehistoric shrew or acting like an eager little puppy whenever she's around? I would be asking Santa Claus (who provided the impetus for this jaunt) for a refund or a better idea right about now ...

Flip flop redux

The Sunday strip this week is, once again, a summary of the previous week's continuity - and as far as that goes, it's OK, especially if your local paper doesn't also run the daily. As Mike pointed out earlier this week, there's some flip flop fun going on here - and the fact that it's condensed flip flop fun on Sunday just gives us more to look at, I think. We've got a magically disappearing hat. All right, I think I can understand why the hat is here. It provides a continuity point with the last panel from the previous week. However, it conflicts with the panels right next to it. In panel two, there's a good amount of space in which Rudy could have been seen taking off his hat with his left hand. Would've made for a smoother transition, anyway.

In panel three Rudy has moved into Oop's spot next to Ooola, and in panel four the flip flop is complete. Effectively, these three have been doing square dance moves for about ten seconds' worth of conversation.

The last fun element in this strip is that rather Freudian arrow in the last panel. Believe me, this is an easy problem to run into when you're drawing comics and trying to guide the eye of the reader. I've looked at this page, trying to figure out where else in the layout the arrow could be positioned, and I'm not sure I can think of anything better. Let's just say that having an arrow pointing at the "naughty bits" of a couple doing some romantic dancing ... well, it's just unfortunate.

So - good individual drawings, delicate color, a magic hat, square dancing, and a naughty arrow. Not bad for one Sunday.

Flip-flop

They must do this on purpose. There is just no other explanation. I think the Benders are intentionally placing these errors of perspective into the strip just to keep me entertained.
I can find one in almost every strip they draw these days.
Look at today’s strip (Jan. 10) for example. In the first frame, we see Rudolph Valentino in the background where he is gesturing with his right hand. In the immediate foreground we see Alley Oop with Ooola standing to his right.
Now in frame 2, we have suddenly shifted perspective and are now looking at the back of Valentino’s head and over his shoulders, but now suddenly Ooola is standing on the left side of Oop. (At least Valentino is still gesturing with his right hand.)

No wonder Oop and Ooola have exclamations over their heads! In less time than it takes for Valentino to say his name, they have been transposed. They are no doubt looking at one another and thinking “How did I get over here?”
For artists who routinely changes perspectives in each strip, why is it so difficult for them to keep something this simple and this basic straight?

What a tango-ed web we weave ...

Hey, it's not Richard Feynman, but it's close! While Saturday's episode left us somewhat in the dark as to the identity of Oop and Ooola's dance instructor, the Sunday episode lets the cat fully out of the bag. Nope, it's not Fred Astaire, Gene Kelly, or even Isidora Duncan. It is ... drumroll please ... the Great Lover himself, silent screen icon Rudolph Valentino! That's my best guess, and I don't think I'm wrong, if you judge by the photo here.

Ever prone to make the quirkiest of choices, our creative team has brought into Oop's troubled life one of the people responsible for popularizing the tango. According to his Wikipedia entry, Valentino worked as a "taxi dancer" (a kind of paid dance date) and a dance instructor prior to being discovered by Hollywood. So this ought to place Oop's adventure here sometime around 1915 or so, though the Argentinian tango costume Rudy's wearing is from his 1921 film, "The Four Horsemen of the Apocalypse."

In our comic-strip world, Oop is sure to learn "the ways of love" from Rudy here, as well as a few slick dance moves. In real life, Valentino married a lesbian, was jailed for bigamy, and one of his lovers shot her husband dead to be with Rudy.

Anyway, we have gone from Santa Claus to Rudolph Valentino in the course of about two weeks. Are you dizzy yet?

And by the way, what's Oop sweating and spouting exclamation marks for? I'm afraid of Rudy's pants, but that's just me.

Oh, my.... indeed!

Alley and Ooola have arrived for their dance lessons and the dance instructor is shocked to see that... Ooola has turned into an axe!!! Oh, my....

Well, maybe not. But it certainly looks that way from the illustration. Here we see in Frame 2, as Miss Emma walks up, Oop is standing with his right arm around Ooola. Suddenly, in Frame 3, Ooola is gone and Alley is holding his axe in his right hand and that is when we get the Oh, my... reaction from Miss Emma. What else could she be reacting to?

Of course, she is probably reacting to the WMD in Oop’s hand and wondering how he expects to dance with it. But she could also be wondering why he is showing up for dance lessons dressed in nothing but his bear-skin skivvies. You would think that Doc might have been courteous enough to have at least set Alley and Oola up with some period clothes before shipping them off into time somewhere.